Hohner for the Brakeman
for Kim Addonizio
Delray finally lost
his license to practice
poetry; nearly died when he tried dashing
one off at the Orange Julius. It came out
instantly wrong as a monkey suit, a rent-a-cop
confiscating harmonica songs. He blew town
with a deaf man’s purse, some egg shells floating
around in there, too. Revision only made it worse;
he’s down at the rail yard now, with zippered lip
hitting up switch men for something, anything
lyrical to do. They all look like Jimmie Rodgers,
casting no blame, to hear train songs only, lonely
lonely songs of trains. First the Coast Starlight
then the Empire Builder pulls through long nights,
all those lives under glass, heading for Libby,
Mendocino, Whitefish, Oakland, Aurora
Illinois. Delray waves semaphores at
narrative, at metaphor, the hippie backpackers
sacking out on Amtrak observation deck… then a
fist fight between two half-white porters on the rollicking
galley floor, teeth spit for blowing harp, thousands
of miles from home. Delray hears it, hears it, vibrato
on chrome, God but it could make a marvelous
poem. Midnight and Delray will ask the moon for the Nth
time, for a light, for a quarter, one more reprieve sweetened
by imprimatur, horn of plenty. Instead he receives a sickle
of ice down his pants, hot foot, palm hoot Toots Thielman
C chord for the deaf man, fancy dance and the moon
says not a chance…not a chance. Back and forth
poor Del hops the tracks, forever
chasing voices that cannot
stop to chat.
Dennis Mahagin’s writing appears in magazines such as Juked, Evergreen Review, and Smokelong Quarterly. “Hohner for the Brakeman” first appeared in LucidPlay.
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